ALEXANDER WESSELY, born in 1989, is a swedish-greek artist working
across sculpture, scenography, film and live perfomance.


THE WEEKND, ATDT EUROPE TOUR   (2026)
ANYMA, COACHELLA   (2026)
LISA, AMERICAN VOGUE   (2026)
NOBEL PRIZE BANQUET   (2025)
ROSALIA, LUX TOUR ANNOUNCEMENT   (2025)
SHM, PLAZA DEL TOROS   (2025)
ANYMA X TRAVIS SCOTT, QUANTUM GENESYS   (2025)
SHM, ARTHUR ASHE STADIUM   (2025)
WOMB, MUSEU DEL DISSENY   (2025)
MEGAN THEE STALLION, COACHELLA   (2025)
ANYMA, LAS VEGAS SPHERE   (2024)
THE WEEKND, AFTERHOURS TIL DAWN TOUR   (2024)
HΣAD, ODYSSEY GALLERY    (2024)
GRIMES AND ANYMA, TARATATA   (2024)
KANYE WEST, RTK, TY$, PESO PLUMA   (2024)
MALMÖ CONCERT HALL, JACOB MÜHLRAD’S VEER   (2024)
070 SHAKE, PETRICHOR BALLET   (2024)
FKA TWIGS, EUSEXUA REMIX   (2024)
THE WEEKND, IHEART RADIO   (2024)
WANDERLAND STADIUM PERFOMANCE, ANT WAN   (2024)
REMS, BERWALDHALLEN CONCERT HALL   (2023)
KORTEX, FOTOGRAFISKA MUSEUM   (2023)
PILLAR, TEENAGE ENGINEERING   (2023)
SHM AND THE WEEKND, MOTH TO A FLAME   (2022)
070 SHAKE, MEDECINE   (2022)
IKEA, OBEGRÄNSAD   (2022)
THE WEEKND AND SHM, COACHELLA   (2022)
SHM, JIMMY FALLON   (2021)
CHIMI, THE ROYAL DRAMATIC THEATRE DRAMATEN   (2021)
SWEDISH HOUSE MAFIA, IT GETS BETTER   (2021)
TIME, THE STOCHKOLM CONCERT HALL   (2019)
SWEDISH HOUSE MAFIA WORLD TOUR   (2019)
PURGATORIUM, FOTOGRAFISKA MUSEUM   (2019)
CORPUS, ENESKJÖLD PALLAZO   (2017)
PUSHA T, PUSH IT   (2015)
VOGUE ITALIA, ANCESTRAL DESOLATION   (2015)


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CORPUS AT ENESKJÖLD PALLAZO (Exhibition)
For his second show “Corpus” he has taken the photograph one step further. With Greek roots, Wessely has looked back at the classical Greek sculpture for inspiration. Bodies of humans and animals are photographed in a studio, then sculptured backwards in decay in digital postproduction making them appear as antique remains. The work is then printed in 1:1 scale on metal and mounted on classical marble and steel in order to create a new type of sculpture. Most apparent is this in Hippos (Horse) which weighs a solid 650 kg and measures 2.8 x 2m. Through this metamorphosis Wessely sets the tone of our postdigital world and makes us look at the process of a sculpture in new angles.