ALEXANDER WESSELY, born in 1989,is a swedish-greek artist adept at exploring the meeting of art, technology, and spirituality within the framework of modern culture. His work spans a variety of mediums, including sculpture, film, photography, and performance.
THE WEEKND, AFTERHOURS TIL DAWN TOUR (2024)
HΣAD, ODYSSEY GALLERY (2024)
GRIMES AND ANYMA, TARATATA (2024)
KANYE WEST, RTK, TY$, PESO PLUMA (2024)
MALMÖ CONCERT HALL, JACOB MÜHLRAD’S VEER (2024)
070 SHAKE, PETRICHOR BALLET (2024)
THE WEEKND, IHEART RADIO PERFORMANCE (2024)
WANDERLAND STADIUM PERFOMANCE, ANT WAN (2024)
REMS, BERWALDHALLEN CONCERT HALL (2023)
KORTEX, FOTOGRAFISKA MUSEUM (2023)
RAY OF SOLAR, SHM (2023)
THE WEEKND, EAR OF ABEL (2023)
PILLAR, TEENAGE ENGINEERING (2023)
SHM AND THE WEEKND, MOTH TO A FLAME (2022)
070 SHAKE, MEDECINE (2022)
IKEA, OBEGRÄNSAD (2022)
THE WEEKND AND SHM, COACHELLA (2022)
SHM, JIMMY FALLON (2021)
CHIMI, THE ROYAL DRAMATIC THEATRE DRAMATEN (2021)
SWEDISH HOUSE MAFIA, IT GETS BETTER (2021)
TIME, THE STOCHKOLM CONCERT HALL (2019)
SWEDISH HOUSE MAFIA WORLD TOUR (2019)
PURGATORIUM, FOTOGRAFISKA MUSEUM (2019)
CORPUS, ENESKJÖLD PALLAZO (2017)
PUSHA T, PUSH IT (2015)
VOGUE ITALIA, ANCESTRAL DESOLATION (2015)
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KANYE WEST, RICH THE KID, TY DOLLA $IGN, PESO PLUMA, GIMME A SECOND (Director, concept)
In a setting defined by shadow play and sculpted light, Wessely’s approach incorporates physical sculptures and floating heads of the artists, reminiscent of his Corpus series, creating a stark visual depth. The video’s aesthetic merges light and dark to enhance the atmosphere, bringing a sculptural quality to the visual storytelling and evoking Wessely’s recurring theme of worship, where presence and reverence take on symbolic forms. Through these elements, Gimme a Second blurs the line between music video and art installation, immersing viewers in a space that feels both intimate and monumental.
