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ALEXANDER WESSELY, born in 1989,is a swedish-greek artist adept at exploring the meeting of art, technology, and spirituality within the framework of modern culture. His work spans a variety of mediums, including sculpture, film, photography, and performance.




THE WEEKND, AFTERHOURS TIL DAWN TOUR   (2024)
GRIMES AND ANYMA, TARATATA   (2024)
KANYE WEST, RTK, TY$, PESO PLUMA   (2024)
HΣAD, ODYSSEY GALLERY    (2024)
REMS, BERWALDHALLEN CONCERT HALL   (2023)
KORTEX, FOTOGRAFISKA MUSEUM   (2023)
PILLAR, TEENAGE ENGINEERING   (2023)
SHM AND THE WEEKND, MOTH TO A FLAME   (2022)
070 SHAKE, MEDECINE   (2022)
THE WEEKND AND SHM, COACHELLA   (2022)
SHM, JIMMY FALLON   (2021)
CHIMI, THE ROYAL DRAMATIC THEATRE DRAMATEN   (2021)
 SWEDISH HOUSE MAFIA, IT GETS BETTER   (2021)
TIME, THE STOCHKOLM CONCERT HALL   (2019)
SWEDISH HOUSE MAFIA WORLD TOUR   (2019)
PURGATORIUM, FOTOGRAFISKA MUSEUM   (2019)
CORPUS, ENESKJÖLD PALLAZO   (2017)
PUSHA T, PUSH IT   (2015)

About
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ALEXANDER WESSELY, born in 1989,is a swedish-greek artist adept at exploring the meeting of art, technology, and spirituality within the framework of modern culture. His work spans a variety of mediums, including sculpture, film, photography, and performance.




THE WEEKND, AFTERHOURS TIL DAWN TOUR   (2024)
GRIMES AND ANYMA, TARATATA   (2024)
KANYE WEST, RTK, TY$, PESO PLUMA   (2024)
HΣAD, ODYSSEY GALLERY    (2024)
REMS, BERWALDHALLEN CONCERT HALL   (2023)
KORTEX, FOTOGRAFISKA MUSEUM   (2023)
PILLAR, TEENAGE ENGINEERING   (2023)
SHM AND THE WEEKND, MOTH TO A FLAME   (2022)
070 SHAKE, MEDECINE   (2022)
THE WEEKND AND SHM, COACHELLA   (2022)
SHM, JIMMY FALLON   (2021)
CHIMI, THE ROYAL DRAMATIC THEATRE DRAMATEN   (2021)
SWEDISH HOUSE MAFIA, IT GETS BETTER   (2021)
TIME, THE STOCHKOLM CONCERT HALL   (2019)
SWEDISH HOUSE MAFIA WORLD TOUR   (2019)
PURGATORIUM, FOTOGRAFISKA MUSEUM   (2019)
CORPUS, ENESKJÖLD PALLAZO   (2017)
PUSHA T, PUSH IT   (2015)

About
Contact
Instagram


SWEDISH HOUSE MAFIA, WORLD TOUR 2019. (Stage design, visuals, light and concept)
The 2019 tour’s design was defined by a raw, brutalist approach, with a floating stage that imposed itself like a concrete monolith suspended in air. A , 55-meter-wide LED screen dominated the backdrop.The tension between minimalism and maximalism was at the core,stripped-down architecture clashed with the power of light and sound.