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ALEXANDER WESSELY, born in 1989,is a swedish-greek artist adept at exploring the meeting of art, technology, and spirituality within the framework of modern culture. His work spans a variety of mediums, including sculpture, film, photography, and performance.




THE WEEKND, AFTERHOURS TIL DAWN TOUR   (2024)
GRIMES AND ANYMA, TARATATA   (2024)
KANYE WEST, RTK, TY$, PESO PLUMA   (2024)
HΣAD, ODYSSEY GALLERY    (2024)
REMS, BERWALDHALLEN CONCERT HALL   (2023)
KORTEX, FOTOGRAFISKA MUSEUM   (2023)
PILLAR, TEENAGE ENGINEERING   (2023)
SHM AND THE WEEKND, MOTH TO A FLAME   (2022)
070 SHAKE, MEDECINE   (2022)
THE WEEKND AND SHM, COACHELLA   (2022)
SHM, JIMMY FALLON   (2021)
CHIMI, THE ROYAL DRAMATIC THEATRE DRAMATEN   (2021)
 SWEDISH HOUSE MAFIA, IT GETS BETTER   (2021)
TIME, THE STOCHKOLM CONCERT HALL   (2019)
SWEDISH HOUSE MAFIA WORLD TOUR   (2019)
PURGATORIUM, FOTOGRAFISKA MUSEUM   (2019)
CORPUS, ENESKJÖLD PALLAZO   (2017)
PUSHA T, PUSH IT   (2015)

About
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ALEXANDER WESSELY, born in 1989,is a swedish-greek artist adept at exploring the meeting of art, technology, and spirituality within the framework of modern culture. His work spans a variety of mediums, including sculpture, film, photography, and performance.




THE WEEKND, AFTERHOURS TIL DAWN TOUR   (2024)
GRIMES AND ANYMA, TARATATA   (2024)
KANYE WEST, RTK, TY$, PESO PLUMA   (2024)
HΣAD, ODYSSEY GALLERY    (2024)
REMS, BERWALDHALLEN CONCERT HALL   (2023)
KORTEX, FOTOGRAFISKA MUSEUM   (2023)
PILLAR, TEENAGE ENGINEERING   (2023)
SHM AND THE WEEKND, MOTH TO A FLAME   (2022)
070 SHAKE, MEDECINE   (2022)
THE WEEKND AND SHM, COACHELLA   (2022)
SHM, JIMMY FALLON   (2021)
CHIMI, THE ROYAL DRAMATIC THEATRE DRAMATEN   (2021)
SWEDISH HOUSE MAFIA, IT GETS BETTER   (2021)
TIME, THE STOCHKOLM CONCERT HALL   (2019)
SWEDISH HOUSE MAFIA WORLD TOUR   (2019)
PURGATORIUM, FOTOGRAFISKA MUSEUM   (2019)
CORPUS, ENESKJÖLD PALLAZO   (2017)
PUSHA T, PUSH IT   (2015)

About
Contact
Instagram


TIME AT KONSERTHUSET WITH JACOB MÜHLRAD. (Visuals, light, concept)
For Time, the visuals, lighting, and concept design explored the themes of infinity and communication, drawing on the story of the Tower of Babel. A 22-meter-wide LED screen dominated the stage, creating a visual backdrop that reflected the cyclical nature of time. The interplay of light and imagery amplified the narrative, starting with a  adaptation of Psalm 19.